Between Silence and Light
"Between Silence and Light" is the title of a proposal with two fold purpose to learn stone carving for my art practice and to create a series of four carved slate standing stones, each surpassing two meters in height. This endeavour aimed to establish a sense of continuity, referencing the local heritage of the nearby ancient Swinside (or Sunken Kirk) stone circle, the coastal path and engaging the community. The project linked contemporary art with the presence of ancient stone circles, enhancing their context and significance. the stone circle and these new stones would not only be monumental, they would incorporate a narrative element. The stones were intended to be site specific, carved with imagery and text pertinent to their respective locations. I invited professional stone sculptor Danny Clahane to teach me carving skills, providing tuition for several months both guiding my work and with carving the stones which I designed.
Between Silence and Light provided an opportunity to explore an entirely new medium for me of stone. This work contributed to my practice, integrating a conceptual element into the process. The work also included a continuing commitment to bridging art and science through making water collections and using a microscope to observe diatoms and other microorganisms. As a result, a series of small carvings emerged, centred around the theme of diatoms, which lend themselves to sculptural carvings inspired by SEM images from Dr. Tiffany’s diatom collection art and science exploration rendering the invisible visible.

A diatom Lime stone and gold leaf sculpture based on diatom
Didymosphenia geminata


A diatom stone sculpture inspired bythe Biddulphia anetdiluviana

Dr Tiffany collection: Biddulphia anetdiluviana
Between Silence and Light illustrated document